Annals of Transcultural History of Art: A Story Told in Two Ways, edited by Li Jun, presents an innovative methodological framework that reimagines global art history through a transcultural lens. Departing from entrenched Eurocentric and Sinocentric narratives, the volume promotes dialogue between Chinese and European artistic traditions. At its core is the “Three Originals” principle—original language, original works, and original cultural context—which calls for direct engagement with primary texts, artworks, and their historical environments. The volume comprises three sections: two featuring original essays on theory and material culture, and a third offering critical reviews of recent scholarship. Through detailed case studies, the volume illustrates how Eastern influences informed Western art—from Renaissance architecture to decorative patterns in Meissen porcelain—highlighting the hybrid and reciprocal nature of artistic development. By emphasizing cultural interaction as a driver of innovation, it advocates a more inclusive and globally attuned art history. This review acknowledges the volume’s significant contribution while also suggesting the need to expand beyond the China–Europe–Islamic world focus to include broader geographic and thematic dimensions. As a pioneering contribution, the volume establishes a foundation for future research into the complexities of transcultural artistic exchange across civilizations.